ENCOMIUM

Encomium implies enthusiasm and warmth when praising a person or a thing.

Gregory Purnhagen, baritone

Philip Glass Ensemble, BABALU-CY! The Art of Desi Arnaz, The New Xavier Cugat Orchestra; soloist, New York Philharmonic, Musica Sacra, Voices of Ascension, St. John the Divine.

“Daniel is a knowledgeable, sensitive, and supportive teacher. His vocal philosophy is organic and rooted in the Italian School, which helps the student achieve a balance of warmth and clarity. I highly recommend him to students at any level.”

Michele Troise, soprano & vocal pedagogue

Sing Differently – Chanter Autrement, Editions Michel Jonasz, Paris.

“Wow. It was incredible to read The Heart of the Garcia Method. You are the only person I’ve learned anything about the voice from in 20 years, at least!”

Shirley Beyah, mezzo soprano

Soloist, The Mouse, Britten’s Rejoice in the Lamb, Oratorio Society of New York, St. John the Divine; Soloist, Angelic Chorus, Mendelssohn’s Elijah, Oratorio Society of New York, Carnegie Hall.

“I got raves. I cannot now, nor have I ever taken credit for either performance. You gave me my vocal wings. I applied everything you taught me to my practice.”

Andrew Bennett, tenor & Fellow, Trinity College

Tenor Soloist & Arthur Sullivan in With Catlike Tread: The Story of Gilbert & Sullivan, Manchester, UK; Lila Grisley Recital Award with Distinction, Stratford & East London Festival: “Warm tenor voice with flexibility and clarity. Clean ornamentation. The legato line was fabulous. Extremely clear diction. A very beautiful programme!”

"As a professional singer with many years of international experience, I know that our voices evolve & develop throughout our careers. Daniel has followed that evolution with me with skillful, detailed suggestions on technique, a supportive attitude, and warmth. Professional singers & coaches: I encourage you to get to know Daniel Shigo."

Gary Lizardo, tenor, actor & cabaret artist

NYC stage credits include George Kaufman’s Act One; Arvide Abernathy, Guys and Dolls; Narrator, Into The Woods; Jerry Cohan, George M; Chauncey Miles. The Nance; Julian Marsh, 42nd St; David Kingsley, Stage Door; Herr Schultz Cabaret: Zoser, Aida; Robert de Beaudricourt, St. Joan; Mr. Laurence, Little Women;  King Marchand, Victor Victoria; Danvers Carew, Jekyll and Hyde—The Musical; Larry Renault, Dinner At Eight; Dennis Shepard, The Laramie Project; New York City Cabaret venues include: Laurie Beechman Theatre, Metropolitan Room, Don't Tell Mama, The Underground, Broadway Baby, Broadway Comedy Club, Red Egg, Producer's Club.

“As a shouting, bellowing preacher for twenty of my younger years, I hadn't been kind to my voice! Since I became an actor, musical theater, and cabaret singer, I needed a keen diagnostician and a patient Bel Canto teacher to help me achieve a pure tone. My performance has been transformed. It's the voice that I was looking for.“

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Larry Stephen Hines, baritone

Being Sammy Davis Jr., The Drifters, Shadow of the 60s: A Tribute to the Motown Super Groups.

“Daniel Shigo is pure genius. Within a few months of lessons, I had techniques that would last a lifetime. Working as a musical theatre performer nationally and abroad for many years, I can honestly say I now sing on a different level. I’m honored to be able to study with this patient and caring teacher.”

Anthony Wright, tenor

“It has been fantastic to have one vocal epiphany after another since studying with you and finally hear my voice! You’re a fantastic teacher, and I’m so thankful our paths crossed. It’s the highlight of the week! I used to dread voice lessons.”

Johnathan Bi, lecturer & public speaker

“I came to Daniel to improve my voice, not as a singer but as a lecturer. Daniel was professional, effective, and creative in adapting traditional opera singing techniques to build a custom plan that catered to my needs. After 12 sessions, I noticed my voice being more resonant and clear, and I have a path forward to further improvement.”

Helen Campo, flutist & mezzo soprano

Principle flutist, New York Philharmonic, New York City Ballet, New York City Opera, 11 Broadway shows, currently Wicked.

“Amazing! Best voice teacher I could ever imagine! He improved my singing dramatically in a few short lessons, and helped with planning and logistics for my performance as well! Very kind, funny and supportive on top of everything else!”