Set to Sing

The mouth of the singer, who speaks correctly, is always set to sing. The muscles provide a mechanism by which the vibrating air receives the echo. The more the mechanism is exercised through the will, the more precisely it works, and greater the acoustic effect upon the resonating cavities.

Cornelie van Zanten, student of Franscesco Lamperti in Bel-Canto des Wortes (1911).

Daniel Shigo

Daniel’s voice studio is rooted in the teachings of Francesco Lamperti and Manuel Garcia. Contact Daniel for voice lessons in New York City and online lessons in the art of bel canto.

Shigo Voice Studio
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The García School: Sigrid Onégin

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The Essentials of Beautiful Singing: A Three-Step Kinesthetic Approach by Karen Tillotson Bauer